Rentals » Videography - Photography » Cameras » Still Cameras
Sony A7 III
An entirely renewed image sensor and image processing system further enhance image quality. Improved overall AF performance, high-speed continuous shooting of up to 10fps2, 4K3 movie recording capability, and operability that has been dramatically upgraded from the α7 II allow you to capture more decisive moments.
Sony a7R III
With a full-frame 42.4MP Exmor CMOS sensor, the Sony a7R III offers 10 fps continuous shooting rate along with improved autofocus performance. The AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus, and also maintains focus on subjects more effectively.
Arri Alexa Mini
With its compact, lightweight carbon body, the ALEXA Mini Body with 4:3 and ARRIRAW complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range.
Blackmagic Design Ursa Mini Pro 4.6k
"Retaining the familiar form factor of the original URSA Mini, Blackmagic Design's URSA Mini Pro 4.6K Digital Cinema Camera brings expanded control set and increased functionality.
The most noticeable difference is the addition of external camera controls. No longer will menus have to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions."
Sony a7S II
-Full Frame Sensor Size, APSC (Super 35mm) Crop Mode Available
-Internal UHD Up To 30 fps, HD Up To 120fps To SDXC Card
-8 Bit 4:2:0 Internal Recording, 4:2:2 Out HDMI
-XAVCS, AVCHD, or MP4 Codec
- 5 Axis In Camera Image Stabilization
- Continuous AF With Sony Lenses
-1600 Native ISO
-12.2 Megapixels
- 5 fps Continuous Shooting
- Slog3 Gamma
-Micro HDMI Output
- Stereo Mini Mic Input
- USB Micro For AC/Battery Charging In Camera
Canon EOS C100 with Canon 24-105mm Lens
This is the compact version of the C300 and takes SD cards. Canon included its CLOG Gamma for superior color and has added an advanced dual pixel Auto Focus system!.
Includes Canon 24-105mm lens
Sony Alpha a9 Mirrorless Digital Camera
(2) 128GB cards, (3) batteries
High-speed continuous shooting at up to 20fps, blackout-free shooting, AF/AE live-view tracking, shutter speed up to 1/32000, silent vibration-free Anti-Distortion shutter, sensitivity up to ISO 204800 and advanced 4K movie.
24.2-megapixel 35mm full-frame stacked CMOS sensor with integral memory
BIONZ X™ processing engine
High-speed continuous shooting of up to 20fps with AF/AE tracking
693-point wide-area phase-detection AF
5-axis image stabilization with effectiveness equivalent to 5.0-stop slower shutter speed
Canon EOS C100 Mark II with Canon 24-105mm Lens
Canon EOS 5D MarkII
The Canon EOS 5D Mark II was introduced with little fanfare until Vincent Laforet shot the video short, Reverie. Seemingly overnight, filmmakers saw the potential of the full-frame DSLR for video image capture. We were the first rental house in NYC to offer the 5D for videography. We saw our units used on SNL, numerous commercials, music videos, documentaries and independent projects.
The 5D has a 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, an ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus Auto Lighting Optimizer and Peripheral Illumination Correction. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, a 3.0-inch Clear View LCD (920,000 dots/VGA) and a rugged build.
DJI Osmo with X5R Camera
12.8 stops dynamic range for enhanced highlight and shadow detail
H.264 and Cinema DNG RAW video recording
Records video and stills to micro-SDHC/SDXC cards or SSD Drives. A 512GB SSD flash drive is included
Single shot or take bursts for 3, 5, or 7 frames
Time-lapse mode captures photos at stepped intervals between 3 and 60 seconds
Program, Aperture Priority, Shutter Priority, and Manual exposure modes
Canon EOS C200
Canon's Cinema RAW light offers the least expensive way to record raw video. You have a choice of Cine 4K, Ultra HD & full HD. The 13 stops of attitude, ISO range of 160 to 25,600 and the, much-praised, Dual Pixel autofocus system make the C200 a formidable creative tool.
Canon EOS C300
This is the most popular B camera for TV show and feature films. Its image quality, ruggedness and features have made it the favored camera for VICE News. It shoots 50 Mb/s meeting current broadcast standards. With a native ISO of 850 and capable of 80,000 ISO, the C300 is ready for all lighting scenarios.
Canon EOS 5D MarkIII
Features 61-Point High Density Reticular AF and an extended ISO range of 100–25600 (expandable to 50 (L), 51200 (H1) and 102400 (H2). A newly designed 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0 fps provide exceptional clarity and sharpness, even when capturing rapidly-unfolding scenes. Additional technological advancements include High Dynamic Range (HDR) and Multiple Exposure mode-all.
The MarkIII can export clean, uncompressed HDMI output to an external recorder, while still being able to record to internal CF or SD cards and monitor the video on the rear LCD display.
Fujifilm XF 50-140mm f/2.8 R LM
Canon C300 Mark II EF
The C300 Mk 2 is the an updated version of our most popular camera, the C300. It shoots 4K, has a number of ergonomic improvements and can shoot HD at up to 120 fps. The camera can also shoot proxy files to an SD card and has Canon's new Canon Log 3 color science. Canon claims this camera has 15 stops of Dynamic Range, 3 stops greater than its predecessor.
Canon XF100
When size or cost are a factor, this is a terrific camera for events and documentaries. It provides 4:2:2 color sampling, 50 Mb/s and has an HDMI output for monitors and recording.
Canon EOS 5D Mark IV
The Canon EOS 5D Mark IV is the latest version of the most popular DSLR we have ever rented. Compared to the Mark III, it has 8 more megapixels, 1 more fps continuous shooting, a whole new sensor with extended dynamic range, built in Wifi and GPS, a touch screen display, and now supports 4K video recording. This camera can shoot 60fps at Full HD compared to its predecessor which shot 60fps at 720p. It also introduces 120fps recording at 720p.
Canon EOS R
The mirrorless EOS R features a high-resolution 30.3MP full-frame CMOS sensor along with a DIGIC 8 image processor. Wide sensitivity range up to a native ISO 40000, fast continuous shooting to 8 fps, and UHD 4K30 video recording. In addition to imaging, the sensor also facilitates an advanced Dual Pixel CMOS AF system, which uses 5655 selectable points for quickly and accurately acquiring focus.
Canon XF105
The XF105 is identical to the XF100 but provides a SDI output. It has 4:2:2 color sampling and 50 Mb/s bitrate meeting current broadcast standards.
DJI Osmo
The Osmo is a handheld 4K camera built onto a single handle 3-axis gimbal stabilizer. It uses the same camera from the DJI inspire 1 drone, which is capable of 4K video at 24 fps or 120 fps at FullHD. It also takes 12mp JPEG or DNG RAW stills. The camera and gimbal are powered by proprietary rechargeable lithium battery packs. The handle has camera control buttons including pan and tilt and a wifi device can be used to monitor the shot and update settings via the DJI GO app. The footage is shot to a microSD card which is inserted into the side of the camera.
DJI Osmo+
Get closer to your subjects than ever before with the DJI Osmo+, DJI’s first handheld gimbal with an integrated zoom camera. A 7× zoom, consisting of 3.5× optical and 2× digital lossless zoom, gives it a focal length ranging from 22mm to 77mm without sacrificing HD quality. This gives you more control over your composition than ever before.
DJI Osmo With X5 Camera
This version of the Osmo features an upgraded camera capable of DCI 4K video, 16 MP stills, over 12 stops of dynamic range, and a micro 4/3 interchangeable lens mount. Included in the rental here at Hello World is a 15mm f/1.7 lens. This camera also shoots to microsd cards and uses the same Osmo 3-axis gimbal and DJI GO app.
Fujifilm X T3 Mirrorless Camera
256 GB, Vertical grip, 3 batteris.
Panasonic AU -EVA1
Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting. Dual Native ISO. The standard native ISO is 800, which works for most production situations, ISO 2500 when working in dim scenarios.
Panasonic Varicam LT
Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K.
Panasonic Lumix DC-GH5 Mirrorless MFT
At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.
Panasonic Lumix DC-GH5S Mirrorless MFT
The Panasonic Lumix DC-GH5S is optimized for movie recording and low-light performance. Revolving around a 10.28MP Digital Live MOS sensor, DCI and UHD 4K video recording is possible at up to 60p and the large individual pixel size also affords impressive low-light performance to an extended ISO 204800, along with Dual Native ISO technology at ISO 400 and ISO 2500.
Red Epic Dragon
The RED EPIC with Dragon sensor can capture 6K images which is 9X the size of HD. The 16.5 stops of latitude and resolution offer extraordinary image quality. The EPIC is compatible with PL, Canon, Nikon and Leica lenses. It is capable of 100 fps at 6K, 150 fps at 4K, and 300 fps at 2K. With the PL motion mount the EPIC features a global shutter and internal NDs. All of these attributes allow for reframing options, image stabilization in post and impressive low light performance. With its compact size, the EPIC is ideal for use with our 3-axis MoVI and Ronin image stabilization units.
Red Monstro 8K
Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops, and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.
Sony PMW-200
This is the successor to the very popular EX-1. It is the perfect choice for event videography and documentaries. It shoots 50 Mb/s and H422 so it meets current broadcast standards. It has a very sharp 14X optical zoom.
Sony PXW-FS5
The FS5 is an update to the extremely popular FS700, now a perfect b camera to the popular FS7. Like the FS700, the FS5 offers extremely high frame rates at an extremely budget friendly price point. It's two highlight specs are the 240 fps shooting in HD as well as it's 4K capabilities at up to 30 fps all in Sony's latest S-log 3 cine gamma. All of these features are packed into a tiny package, allowing this camera to be comfortably used with the Movi M5 or Ronin-M.
Sony PXW-FS7 XDCAM Super-35 Camera
This camera is ready for terrific handheld shooting out of the case. 4K internal recording, 180fps at 1080, Native ISO 2,000, 14 stops of latitude
Sony PXW-FS7M2 XDCAM Super 35 Camera System
Sony has improved on the original by adding two important features. The most notable is an Electronic Vari ND Filter which is an LCD layer placed between the sensor and the lens-mount. The strength of the filter can be assigned to presets or dialled in via the “Variable” wheel on the side of the camera. This allows you to keep the same aesthetics while changing the amount of light that hits the sensor during a scene.
Sony has also added an E-Mount Lever Lock – A New Locking Mechanism. The E-Mount is a great lens mount. However, it was made for stills photography lenses, and lacks stability and a rotation-less locking mechanism. Sony addressed both issues with the new E-Mount Lever Lock.
