This lightweight tripod offers a wider platform for HDSLR bodies and the sliding plate travels to balance the latest interchangeable lens cameras. The entry-level 500 ensures smooth shots and fine control with up to 5kg (11 lbs) of equipment. .
Beautifully smooth shots: the 500 has professional fluid cartridges on both pan and tilt axes to ensure that every camera movement is smooth, controlled and precise. .
Faster, easier and safer to use: the side lock system allows the camera and sliding QR plate to click quickly into the head from above, instead of needing to be aligned and slid in from the back. No secondary safety lock is necessary. The side lock system also makes it quicker and simpler to lift the camera out of the head from above.
Basic camera stabilization device weighing six pounds more than the MoVIs. Good for up 16 pound payloads. Like the MoVIs, the Ronins have a steep learning curve. Our staff has considerable hands on experience with MoVIs and Ronins.
The Easyrig 300N can handle cameras weighing 11 - 16 pounds. The Easyrig reduces the static load on the neck and shoulder muscles while holding the camera at chest level.
An overhead support arm is attached to a back and hip support system for fatigue relief.
This small easyrig is ideal for DSLRs and small camera rigs weighing 4.4-15.4 lbs. It helps more comfortable distribute the weight of your rig for those days of extended handheld shooting. In addition to operator comfort the easyrig will help to stabilize your handheld shots by providing vertical tension, limiting camera shake.
- Weight Adjustable For 11-38 lb payloads
- 9" Arm Design To Clamp To Top Handle Of Gimbals
- Extension Of Hook Adjustable To Have Gimbal Closer Or Further From Your Body
- Takes Weight Off Your Arms & Puts It On Your Legs
The Dana Dolly can accommodate camera rigs up to 100 pounds with ultra-smooth travel. We include 6 or 8 foot rails and stands especially designed to support the Dana on uneven terrain. This is our most popular Dolly/Slider.
MōVIs are widely acknowledged as the best of the 3-axis digital camera stabilizing gimbal systems. Hello World was the first company to offer the MōVI in New York City. We offer the largest rental selection. The MōVI M5 is ideal for DSLRs. All our packages include the latest refinements. We would be delighted to give one-on-one demos. Also, we have experienced operators on staff available for your project.
MōVIs are widely acknowledged as the best of the 3-axis digital camera stabilizing gimbal systems. Hello World was the first company to offer the MōVI in New York City. We offer the largest rental selection. The MōVI Pro handles cameras up to the weight of the Canon C300. All our packages include the latest refinements. We would be delighted to give one-on-one demos. Also, we have experienced operators on staff available for your project.
The Indie Universal Dolly is a dolly that works on straight track as well as curved track (without having to add any accessories). This dolly is adjustable to any track width and doesn't require any tools for set up.
The Dolly Seat can be placed in four different positions on the dolly for various shooting angles.
This unit comes in two compact cases and we include 12 feet of straight. This is an excellent dolly for artists on a tight budget.
The Singleman (Single person) Dolly is a portable, spreader-based dolly system that requires only one person to set-up and operate. It supports up to 30 pounds, includes interchangeable studio castors and track wheels, and fits into a soft-sided carry case. The Dolly is designed to support your tripod and allow it to ride on available tracks. The heart of the system is the spreader unit that folds for transport and features adjustable arms to fit your tripod and available dolly track. We include 12 feet of straight track. An excellent low price dolly option
The 12 foot straight track section is housed in a compact case. No tools required for set-up.
The curved track is housed in a compact case. No tools required for set-up.
The GS in Ready Rig GS stands for Gimbal Support. It allows a Movi or Ronin operator to shift the weight of their rig from their arms and shoulders to their hips and legs. The rig also helps the user stabilize the vertical axis and has adjustable tension to do so. The advantage of the Ready Rig GS over other options for gimbal support are that it supports inverted operation and does not limit the operator's range of movement in any way.
This rig has been the most popular for our Doc and News shooters with the C300, FS7, and F5 packages. The rig does a great job helping to balance these lightweight cameras by placing them directly on top of your shoulder without compromising a shoulder pad. The baseplate has rod mounts on the front and back but does not allow for rods to pass all the way through. It comes with rosette style, extendable arms with super easy on the fly push button adjustment. Our rig also includes a v lock delta adapter to put on your tripod for quick switches from tripod to your shoulder.
Length 40.5" Travel 35.5" Weight 10 lbs. Load capacity 80 lbs.
Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing Delrin wheels, and multiple mounting option. Motor optional.
Two tripods included.
The Second Shooter™ features 100% repeatable motion control for live-mode, looping, time-lapse and stop-motion applications.
Second Shooter™ receives feedback communication from digital-encoded motors in determining motor positions to ensure precise control. Second Shooter™ provides users with ultra-smooth and quiet motion control.
The Round-d-Round Doorway Dolly offers all-wheel steering which allows for greater turning flexibility and will turn in a tight 6 foot (2 meter) circle.
The camera operator seat will mount in six different fixed locations. Steering from both ends of the dolly will allow unlimited camera positioning as the dolly rolls on track or on the ground with the standard pneumatic rubber tires. Load capacity is over 1100 pounds. We include the Bazooka camera support.
The One Man Crew Director is a 36" motorized parabolic slider that lets you add cinematic motion without needing a dedicated operator. Able to handle loads weighing up to 22 pounds, the slider also features remote control functionality, letting you setup and control the slider from your mobile device. Additionally, the app can control camera start/stop recording.
The One Man Crew Director is quick to set up and easy to use thanks to intuitive controls and laser-assisted subject placement. It is able to capture nearly every shot typically found in interviews, including wide master shots, "two shots", and closeups. In addition to interviews, the slider is also well-suited to product shots, b-roll inserts and time lapses.
The curved rail helps keep your subject stationary within the frame and in focus without the assistance of an operator. With the ability to quickly reset the slider for your next interview question and adjust the speed on-the-fly to match the pacing of the interview, the remote app is an invaluable tool for single-person crews. You can even use gesture control on your mobile device to control the slider without ever having to take your eyes off of your subject.
This is an extraordinary tool!
This is a smaller version of the Dana Dolly. It provides rock solid support for 100 lb. payloads. The Dolly and 6.3' of track fit inside a 50' flight-ready Pelican 1610 case. Like the Dana Dolly the travel is very smooth. Two C-stands and a tripod head are included.
Dromos works as a hi hat for your camera or tripod head, allowing you to level and articulate in any position. Setup can be as simple as placing Dromos on the ground using the Dromos Hi Hat Board. You can also achieve that ultra low shot by attaching it to a tripod, jib, dolly or slider via the cheese plate - which provides both 3/8" and 1/4" holes.
- Camera Stabilizer
- 5-18 lb Payloads Supported
- Camera Mounts Via Dovetail Plate
- 7" HD Monitor With HDMI + SDI Inputs, SDI Output Only
- On Board V Mount Plate To Power Accessories + Help Balance
- Learning Curve! Contact Us To Schedule A Demo!
Wooden Camera is known for their build quality and this rig upholds the tradition. It can easily be adjusted to suit your handheld comfort configuration. It is ideal for the Sony PXW-FS7 but will also work with our Red Epic and Black Magic Cameras.
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee. His family was saved by the United Nations and UNICEF. HOME, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...
General Electric, BBDO & Obscura Digital have received considerable praise for UNSEEN STARS.
Thirty-two projectors were used to produce a light show on the ceiling of Grand Central Terminal honoring the achievements of twelve female scientists and engineers. This is a remarkable effort on the part of GE to encourage more female interest and empowerment in STEM. Hello World was tasked with virtual reality streaming the show. We also provided post production services for the VR video.