A Canon L-series zoom featuring 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures.
A Canon L-Series Zoom Lens featuring a large aperture throughout its focal length. It utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds.
A Canon L-Series zoom with Image Stabilizer Technology that steadies camera shake up to three stops. Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures. Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. This zoom range is excellent for documentaries and reality projects.
The highest optical performance in its class, plus the convenience of focusing as close as 2.3 feet over the entire zooming range. A powerful ring-type USM drive provides silent, high-speed autofocusing and a wide zooming range.
The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths.
The Nikon 10-24mm f/3.5-4.5G ED AF-S DX for the APS-C sized sensor. This lens may be used on certain full-frame models utilizing a special function of the sensor. This lens has an angle of view that is the equivalent of a 15-36mm lens in the FX or full frame 24x36mm format.
The primary user will be one who finds standard kit lenses not quite wide enough when photographing landscapes or interior views. An added benefit of wide angle optics is their ability to focus extremely close for a unique perspective on macro objects as close as 9.5".
With a fast fixed aperture of f/2.8 across a 24–70mm zoom range, this lens provides both fine resolution and natural representation. A Nano Crystal Coat helps effectively reduce ghost and flare effects under harsh lighting for greater image clarity. Its Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, so you can retain subject to working distance through the entire focus range.
With a f/2.8 fixed maximum aperture & VR II image stabilization, this lens delivers a versatile telephoto zoom range and professional performance in nearly any light. Whether you’re shooting low-light sports, wildlife, fashion or portraits, this lens will reliably capture stunning, bright, razor-sharp images and HD videos
Micro Four Thirds ultra-wide angle zoom lens which has two aspherical lenses and four ED multi-coated elements to minimize ghosting and flare. It has an amazing 114° angle of view and large-diameter glass molded lens elements that help display brightness over the entire zoom range. When mounted on LUMIX G Micro Four Thirds System camera, the lens allows use of the advanced contrast AF system and features smooth, quiet autofocus as well as precise manual focus capability.
This lens operates with contrast AF system support and has a micro four thirds mount that will work on any compatible camera.
Micro Four Thirds lens offering a wide and long zoom range that is equivalent to 28mm to 280mm on a full frame camera. This will suit a large variety of shooting situations, from scenery to portraits or telephoto shots, in a compact and lightweight body.
The lens uses four aspherical lenses and two ED lenses to achieve dramatic downsizing despite its powerful 10x optical zoom, while minimizing distortion and chromatic aberration. Panasonic's Mega O.I.S. (Optical Image Stabilizer) suppresses the blurring that is commonly caused by hand-shake, making it easy to shoot clear shots even at telephoto range or in dimly lit places without using a tripod.
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Few people know that Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee.
His family was saved by the United Nations and UNICEF. Home, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...