One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. This lens is ideally suited for landscape and architectural photography.
A ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus.
A Canon L-series zoom featuring 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures.
Canon's EF 16-35mm f/2.8L III USM Lens promises improved outer and corner sharpness along with minimal distortion and enhanced peripheral illumination. It also offers a fast and constant f/2.8 maximum aperture throughout the zoom range.
The lens will minimize distortions throughout the zoom range as well as maintain edge-to-edge sharpness and illumination. Chromatic aberrations, flare and ghosting have been minimized.
A ring-type USM focusing motor combined with a high-speed CPU and optimized algorithms are used for lightning fast and accurate autofocus.
For professional use, the lens is dust- and water-resistant, using seals throughout to prevent intrusion of particles, especially when shooting in inclement weather.
This lens offers APS-C coverage, but adds a unique focal length range with image stabilization that make it a great pairing for 7D or C300 shooters as a kit lens that spans from a nice wide to portrait focal length.
A Canon L-Series Zoom Lens featuring a large aperture throughout its focal length. It utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds.
A Canon L-Series zoom with Image Stabilizer Technology that steadies camera shake up to three stops. Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures. Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. This zoom range is excellent for documentaries and reality projects.
The highest optical performance in its class, plus the convenience of focusing as close as 2.3 feet over the entire zooming range. A powerful ring-type USM drive provides silent, high-speed autofocusing and a wide zooming range.
The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths.
The one lens every Nikon package should include. The lens is virtually free of flare, ghosting, coma and chromatic aberration throughout the frame. Features VR, Vibration Reduction image stabilization with up to four stops of image stabilization.
Micro Four Thirds ultra-wide angle zoom lens which has two aspherical lenses and four ED multi-coated elements to minimize ghosting and flare. It has an amazing 114° angle of view and large-diameter glass molded lens elements that help display brightness over the entire zoom range. When mounted on LUMIX G Micro Four Thirds System camera, the lens allows use of the advanced contrast AF system and features smooth, quiet autofocus as well as precise manual focus capability.
This lens operates with contrast AF system support and has a micro four thirds mount that will work on any compatible camera.
The Panasonic Lumix G X Vario 12-35mm f/2.8 Lens is a standard zoom that retains a compact form factor suitable for portable Micro Four Thirds setups. It features a POWER O.I.S. system that is compatible with Lumix G cameras' Dual I.S. functionality for extra shake compensation. It has a sturdy build and is splash proof, making it suitable for shooting in rainy weather. This lens is ideal for documentary shooters, event photography and videography, and travel.
Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range.
Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and color accuracy.
Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Micro Four Thirds lens offering a wide and long zoom range that is equivalent to 28mm to 280mm on a full frame camera. This will suit a large variety of shooting situations, from scenery to portraits or telephoto shots, in a compact and lightweight body.
The lens uses four aspherical lenses and two ED lenses to achieve dramatic downsizing despite its powerful 10x optical zoom, while minimizing distortion and chromatic aberration. Panasonic's Mega O.I.S. (Optical Image Stabilizer) suppresses the blurring that is commonly caused by hand-shake, making it easy to shoot clear shots even at telephoto range or in dimly lit places without using a tripod.
An optimized algorithm offers smooth auto focusing with full-time manual focus override.
A brass mount combines high precision with rugged construction, adding durability to the lens.
The lens is compatible with Sigma's USB Dock and Sigma Optimization Pro software for adjusting focus position, and updating its firmware to better suit your needs.
The rounded 9-blade diaphragm produces aesthetic bokeh at both large and small apertures.
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee. His family was saved by the United Nations and UNICEF. HOME, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...
General Electric, BBDO & Obscura Digital have received considerable praise for UNSEEN STARS.
Thirty-two projectors were used to produce a light show on the ceiling of Grand Central Terminal honoring the achievements of twelve female scientists and engineers. This is a remarkable effort on the part of GE to encourage more female interest and empowerment in STEM. Hello World was tasked with virtual reality streaming the show. We also provided post production services for the VR video.