This camera features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera is capable of recording Ultra HD 4K in Apple ProRes 422 (HQ), as well as the visually lossless, compressed CinemaDNG RAW . The camera offers 12 stops of dynamic range!
This tiny little micro 4/3 camera is perfect as a high quality hidden camera. It leaves the recording to an external recorder to save on space and weight, while not compromising on image quality. Powered by a Canon LP E-6 battery or external power, this card records 4K UHD over HDMI or DIN connector to a Shogun, Odyssey 7Q or similar external recorder. Its Micro 4/3 mount allows use of tiny lenses, but is adaptable to almost any lens imaginable.
This tiny micro 4/3 raw camera is popular for those looking for a hidden camera with cinema class image quality. This camera shoots to an SD card and runs on a Canon LP-E6 (5D/7D) battery. It is also capable of shooting ProRes, or the image can be recorded externally over HDMI. The expansion port allows for external power, timecode, LANC, and radio control for use on a drone. The camera features a built in microphone, but features a 3.5mm microphone jack so you can run a microphone or hop directly into the camera.
Canon's Cinema RAW light offers the least expensive way to record raw video. You have a choice of Cine 4K, Ultra HD & full HD. The 13 stops of attitude, ISO range of 160 to 25,600 and the, much-praised, Dual Pixel autofocus system make the C200 a formidable creative tool.
This is the most popular B camera for TV show and feature films. Its image quality, ruggedness and features have made it the favored camera for VICE News. It shoots 50 Mb/s meeting current broadcast standards. With a native ISO of 850 and capable of 80,000 ISO, the C300 is ready for all lighting scenarios.
The C300 Mk 2 is the an updated version of our most popular camera, the C300. It shoots 4K, has a number of ergonomic improvements and can shoot HD at up to 120 fps. The camera can also shoot proxy files to an SD card and has Canon's new Canon Log 3 color science. Canon claims this camera has 15 stops of Dynamic Range, 3 stops greater than its predecessor.
The Osmo is a handheld 4K camera built onto a single handle 3-axis gimbal stabilizer. It uses the same camera from the DJI inspire 1 drone, which is capable of 4K video at 24 fps or 120 fps at FullHD. It also takes 12mp JPEG or DNG RAW stills. The camera and gimbal are powered by proprietary rechargeable lithium battery packs. The handle has camera control buttons including pan and tilt and a wifi device can be used to monitor the shot and update settings via the DJI GO app. The footage is shot to a microSD card which is inserted into the side of the camera.
This version of the Osmo features an upgraded camera capable of DCI 4K video, 16 MP stills, over 12 stops of dynamic range, and a micro 4/3 interchangeable lens mount. Included in the rental here at Hello World is a 15mm f/1.7 lens. This camera also shoots to microsd cards and uses the same Osmo 3-axis gimbal and DJI GO app.
The marquee features of Go Pro's new camera are the fully waterproof camera body, voice control, a built in rear touchscreen, and built in distortion correction. It also features digital image stabilization, advanced 3 microphone wind noise reduction, and ever improving app support for your iOS or Android device. Like its predecessor, the Hero5 black offers 4K 30 fps, 2.7K 60fps, and FullHD 120fps. While previous mounts will work with the Hero5, the batteries will not.
Photos: up to 12MP, 30 fps burst, time-lapse mode, raw file option, Wide Dynamic Range mode
Videos: up to 60 fps in UHD 4K, up to 120 fps in 1440p, up to 240 fps in 1080p
Waterproof to 33'
Simple one-button control
Wi-Fi and Bluetooth connectivity
Advanced wind-noise reduction using 3 microphones
Digital video stabilization
Rear touchscreen display
Automatic upload to the cloud
Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting. Dual Native ISO. The standard native ISO is 800, which works for most production situations, ISO 2500 when working in dim scenarios.
The RED EPIC with Dragon sensor can capture 6K images which is 9X the size of HD. The 16.5 stops of latitude and resolution offer extraordinary image quality. The EPIC is compatible with PL, Canon, Nikon and Leica lenses. It is capable of 100 fps at 6K, 150 fps at 4K, and 300 fps at 2K. With the PL motion mount the EPIC features a global shutter and internal NDs. All of these attributes allow for reframing options, image stabilization in post and impressive low light performance. With its compact size, the EPIC is ideal for use with our 3-axis MoVI and Ronin image stabilization units.
This is the successor to the very popular EX-1. It is the perfect choice for event videography and documentaries. It shoots 50 Mb/s and H422 so it meets current broadcast standards. It has a very sharp 14X optical zoom.
The FS5 is an update to the extremely popular FS700, now a perfect b camera to the popular FS7. Like the FS700, the FS5 offers extremely high frame rates at an extremely budget friendly price point. It's two highlight specs are the 240 fps shooting in HD as well as it's 4K capabilities at up to 30 fps all in Sony's latest S-log 3 cine gamma. All of these features are packed into a tiny package, allowing this camera to be comfortably used with the Movi M5 or Ronin-M.
Sony has improved on the original by adding two important features. The most notable is an Electronic Vari ND Filter which is an LCD layer placed between the sensor and the lens-mount. The strength of the filter can be assigned to presets or dialled in via the “Variable” wheel on the side of the camera. This allows you to keep the same aesthetics while changing the amount of light that hits the sensor during a scene.
Sony has also added an E-Mount Lever Lock – A New Locking Mechanism. The E-Mount is a great lens mount. However, it was made for stills photography lenses, and lacks stability and a rotation-less locking mechanism. Sony addressed both issues with the new E-Mount Lever Lock.
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee. His family was saved by the United Nations and UNICEF. HOME, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...
General Electric, BBDO & Obscura Digital have received considerable praise for UNSEEN STARS.
Thirty-two projectors were used to produce a light show on the ceiling of Grand Central Terminal honoring the achievements of twelve female scientists and engineers. This is a remarkable effort on the part of GE to encourage more female interest and empowerment in STEM. Hello World was tasked with virtual reality streaming the show. We also provided post production services for the VR video.