The Panasonic Lumix DC-GH5S is optimized for movie recording and low-light performance. Revolving around a 10.28MP Digital Live MOS sensor, DCI and UHD 4K video recording is possible at up to 60p and the large individual pixel size also affords impressive low-light performance to an extended ISO 204800, along with Dual Native ISO technology at ISO 400 and ISO 2500.
12.8 stops dynamic range for enhanced highlight and shadow detail
H.264 and Cinema DNG RAW video recording
Records video and stills to micro-SDHC/SDXC cards or SSD Drives. A 512GB SSD flash drive is included
Single shot or take bursts for 3, 5, or 7 frames
Time-lapse mode captures photos at stepped intervals between 3 and 60 seconds
Program, Aperture Priority, Shutter Priority, and Manual exposure modes
Photos: up to 12MP, 30 fps burst, time-lapse mode, raw file option, Wide Dynamic Range mode
Videos: up to 60 fps in UHD 4K, up to 120 fps in 1440p, up to 240 fps in 1080p
Waterproof to 33'
Simple one-button control
Wi-Fi and Bluetooth connectivity
Advanced wind-noise reduction using 3 microphones
Digital video stabilization
Rear touchscreen display
Automatic upload to the cloud
Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting. Dual Native ISO. The standard native ISO is 800, which works for most production situations, ISO 2500 when working in dim scenarios.
The Nikon D850 offers excellent image quality, solid low-light performance, high speed operation and fast autofocusing.
45.7MP FX-Format BSI CMOS Sensor
EXPEED 5 Image Processor
3.2" 2.36m-Dot Tilting Touchscreen LCD
4K UHD Video Recording at 30 fps
Multi-CAM 20K 153-Point AF System
Native ISO: 64-25600, Extended: 32-102400
7 fps Shooting for 51 Frames with AE/AF
8K Time-Lapse, Negative Digitizer Mode
180k-Pixel RGB Sensor, Focus Shift Mode
SnapBridge Bluetooth and Wi-Fi
Canon's Cinema RAW light offers the least expensive way to record raw video. You have a choice of Cine 4K, Ultra HD & full HD. The 13 stops of attitude, ISO range of 160 to 25,600 and the, much-praised, Dual Pixel autofocus system make the C200 a formidable creative tool.
Sony has improved on the original by adding two important features. The most notable is an Electronic Vari ND Filter which is an LCD layer placed between the sensor and the lens-mount. The strength of the filter can be assigned to presets or dialled in via the “Variable” wheel on the side of the camera. This allows you to keep the same aesthetics while changing the amount of light that hits the sensor during a scene.
Sony has also added an E-Mount Lever Lock – A New Locking Mechanism. The E-Mount is a great lens mount. However, it was made for stills photography lenses, and lacks stability and a rotation-less locking mechanism. Sony addressed both issues with the new E-Mount Lever Lock.
(2) 128GB cards, (3) batteries
High-speed continuous shooting at up to 20fps, blackout-free shooting, AF/AE live-view tracking, shutter speed up to 1/32000, silent vibration-free Anti-Distortion shutter, sensitivity up to ISO 204800 and advanced 4K movie.
24.2-megapixel 35mm full-frame stacked CMOS sensor with integral memory
BIONZ X™ processing engine
High-speed continuous shooting of up to 20fps with AF/AE tracking
693-point wide-area phase-detection AF
5-axis image stabilization with effectiveness equivalent to 5.0-stop slower shutter speed
At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.
This tiny micro 4/3 raw camera is popular for those looking for a hidden camera with cinema class image quality. This camera shoots to an SD card and runs on a Canon LP-E6 (5D/7D) battery. It is also capable of shooting ProRes, or the image can be recorded externally over HDMI. The expansion port allows for external power, timecode, LANC, and radio control for use on a drone. The camera features a built in microphone, but features a 3.5mm microphone jack so you can run a microphone or hop directly into the camera.
The marquee features of Go Pro's new camera are the fully waterproof camera body, voice control, a built in rear touchscreen, and built in distortion correction. It also features digital image stabilization, advanced 3 microphone wind noise reduction, and ever improving app support for your iOS or Android device. Like its predecessor, the Hero5 black offers 4K 30 fps, 2.7K 60fps, and FullHD 120fps. While previous mounts will work with the Hero5, the batteries will not.
This tiny little micro 4/3 camera is perfect as a high quality hidden camera. It leaves the recording to an external recorder to save on space and weight, while not compromising on image quality. Powered by a Canon LP E-6 battery or external power, this card records 4K UHD over HDMI or DIN connector to a Shogun, Odyssey 7Q or similar external recorder. Its Micro 4/3 mount allows use of tiny lenses, but is adaptable to almost any lens imaginable.
This version of the Osmo features an upgraded camera capable of DCI 4K video, 16 MP stills, over 12 stops of dynamic range, and a micro 4/3 interchangeable lens mount. Included in the rental here at Hello World is a 15mm f/1.7 lens. This camera also shoots to microsd cards and uses the same Osmo 3-axis gimbal and DJI GO app.
The Osmo is a handheld 4K camera built onto a single handle 3-axis gimbal stabilizer. It uses the same camera from the DJI inspire 1 drone, which is capable of 4K video at 24 fps or 120 fps at FullHD. It also takes 12mp JPEG or DNG RAW stills. The camera and gimbal are powered by proprietary rechargeable lithium battery packs. The handle has camera control buttons including pan and tilt and a wifi device can be used to monitor the shot and update settings via the DJI GO app. The footage is shot to a microSD card which is inserted into the side of the camera.
With a full-frame 42.4MP Exmor CMOS sensor, the Sony a7R III offers 10 fps continuous shooting rate along with improved autofocus performance. The AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus, and also maintains focus on subjects more effectively.
The Canon EOS 5D Mark IV is the latest version of the most popular DSLR we have ever rented. Compared to the Mark III, it has 8 more megapixels, 1 more fps continuous shooting, a whole new sensor with extended dynamic range, built in Wifi and GPS, a touch screen display, and now supports 4K video recording. This camera can shoot 60fps at Full HD compared to its predecessor which shot 60fps at 720p. It also introduces 120fps recording at 720p.
The FS5 is an update to the extremely popular FS700, now a perfect b camera to the popular FS7. Like the FS700, the FS5 offers extremely high frame rates at an extremely budget friendly price point. It's two highlight specs are the 240 fps shooting in HD as well as it's 4K capabilities at up to 30 fps all in Sony's latest S-log 3 cine gamma. All of these features are packed into a tiny package, allowing this camera to be comfortably used with the Movi M5 or Ronin-M.
-Full Frame Sensor Size, APSC (Super 35mm) Crop Mode Available
-Internal UHD Up To 30 fps, HD Up To 120fps To SDXC Card
-8 Bit 4:2:0 Internal Recording, 4:2:2 Out HDMI
-XAVCS, AVCHD, or MP4 Codec
- 5 Axis In Camera Image Stabilization
- Continuous AF With Sony Lenses
-1600 Native ISO
- 5 fps Continuous Shooting
- Slog3 Gamma
-Micro HDMI Output
- Stereo Mini Mic Input
- USB Micro For AC/Battery Charging In Camera
The C300 Mk 2 is the an updated version of our most popular camera, the C300. It shoots 4K, has a number of ergonomic improvements and can shoot HD at up to 120 fps. The camera can also shoot proxy files to an SD card and has Canon's new Canon Log 3 color science. Canon claims this camera has 15 stops of Dynamic Range, 3 stops greater than its predecessor.
The RED EPIC with Dragon sensor can capture 6K images which is 9X the size of HD. The 16.5 stops of latitude and resolution offer extraordinary image quality. The EPIC is compatible with PL, Canon, Nikon and Leica lenses. It is capable of 100 fps at 6K, 150 fps at 4K, and 300 fps at 2K. With the PL motion mount the EPIC features a global shutter and internal NDs. All of these attributes allow for reframing options, image stabilization in post and impressive low light performance. With its compact size, the EPIC is ideal for use with our 3-axis MoVI and Ronin image stabilization units.
The Canon EOS 7D and 5D MarkII started a video revolution. The 7D was the principal camera for Lena Dunham's acclaimed first feature, Tiny Furniture and was used by Alex Buono for SNL.
It features an 18.0 Megapixel APS-C size CMOS sensor capturing images at up to ISO 12800 and speeds of up to 8.0 fps. The EOS 7D has an all cross-type 19-point AF system and captures Full HD video at 30p (29.97 fps), 24p (23.976 fps) and 25p with manual exposure during video shooting and ISO speed selection.
It is capable of a maximum burst rate (130* for JPEG Large/Fine and 25* RAW images) for continuous shooting, definable maximum limit for ISO Auto, manual audio level, in-camera RAW image processing and JPEG image resizing.
The Canon EOS 5D Mark II was introduced with little fanfare until Vincent Laforet shot the video short, Reverie. Seemingly overnight, filmmakers saw the potential of the full-frame DSLR for video image capture. We were the first rental house in NYC to offer the 5D for videography. We saw our units used on SNL, numerous commercials, music videos, documentaries and independent projects.
The 5D has a 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, an ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus Auto Lighting Optimizer and Peripheral Illumination Correction. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, a 3.0-inch Clear View LCD (920,000 dots/VGA) and a rugged build.
Features 61-Point High Density Reticular AF and an extended ISO range of 100–25600 (expandable to 50 (L), 51200 (H1) and 102400 (H2). A newly designed 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0 fps provide exceptional clarity and sharpness, even when capturing rapidly-unfolding scenes. Additional technological advancements include High Dynamic Range (HDR) and Multiple Exposure mode-all.
The MarkIII can export clean, uncompressed HDMI output to an external recorder, while still being able to record to internal CF or SD cards and monitor the video on the rear LCD display.
This is the successor to the very popular EX-1. It is the perfect choice for event videography and documentaries. It shoots 50 Mb/s and H422 so it meets current broadcast standards. It has a very sharp 14X optical zoom.
This is the most popular B camera for TV show and feature films. Its image quality, ruggedness and features have made it the favored camera for VICE News. It shoots 50 Mb/s meeting current broadcast standards. With a native ISO of 850 and capable of 80,000 ISO, the C300 is ready for all lighting scenarios.
This camera features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera is capable of recording Ultra HD 4K in Apple ProRes 422 (HQ), as well as the visually lossless, compressed CinemaDNG RAW . The camera offers 12 stops of dynamic range!
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee. His family was saved by the United Nations and UNICEF. HOME, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...
General Electric, BBDO & Obscura Digital have received considerable praise for UNSEEN STARS.
Thirty-two projectors were used to produce a light show on the ceiling of Grand Central Terminal honoring the achievements of twelve female scientists and engineers. This is a remarkable effort on the part of GE to encourage more female interest and empowerment in STEM. Hello World was tasked with virtual reality streaming the show. We also provided post production services for the VR video.