A Nano Crystal Coat has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting.
Silent Wave Motor autofocus mechanism provides quick, quiet, and precise autofocus performance that is ideal for photographing fast-moving subjects.
Full-time manual focus override allows instant switching between AF and MF focusing systems by just rotating the focus ring at any time.
Internal focusing design maintains the overall lens length during operation and contributes to a lighter overall weight, as well as a minimum focusing distance of 3.3'.
Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
The one lens every Nikon package should include. The lens is virtually free of flare, ghosting, coma and chromatic aberration throughout the frame. Features VR, Vibration Reduction image stabilization with up to four stops of image stabilization.
This lens offers APS-C coverage, but adds a unique focal length range with image stabilization that make it a great pairing for 7D or C300 shooters as a kit lens that spans from a nice wide to portrait focal length.
The Otus line is Zeiss' top line of photo lenses, but its hard stops and incredible image quality makes it a great choice for video shooters as well. This lens is manual focus, EF mount and has a minimum focus of 2.62'.
The Otus line is Zeiss' top shelf selection of photo lenses, but its hard stops and incredible image quality makes it a great choice for video shooters as well. This lens is manual focus, EF mount and has a minimum focus of 19.7".
The Otus line is Zeiss' top line of photo lenses, but its hard stops and incredible image quality makes it a great choice for video shooters as well. This lens is manual focus, EF mount and has a minimum focus of 11.8".
Zeiss' latest E mount lenses feature an OLED display which gives a readout of focus settings and depth of field. Aperture control is done in camera. Unlike most other Zeiss offerings, the Batis series has Autofocus.
The Loxia 21mm f/2.8 Lens from Zeiss is a wide-angle prime based on the Distagon optical concept for a marked reduction in distortion as well as consistent, even illumination and sharpness from edge to edge. The optical design also incorporates four anomalous partial dispersion elements and one aspherical element to control chromatic aberrations and increase overall clarity and color accuracy. A Zeiss T* anti-reflective coating has also been applied to lens elements to minimize lens flare and ghosting for greater contrast.
The Zeiss Loxia 50mm f/2 Planar T* Lens is a normal prime lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers. Based on the symmetrical Planar optical concept, this lens is adept at correcting for chromatic aberrations and distortion throughout the aperture range for maintained image consistency and clarity. Additionally, a Zeiss T* anti-reflective coating has also been applied to individual lens elements to further reduce lens flare and ghosting for enhanced image clarity and contrast.
The Zeiss Loxia 35mm f/2 Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed in specific regard for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers.
This Canon EF mount lens combines sharp macro performance and a very fast maximum aperture. A 'floating element' optical system enables the Makro-Planar T* to deliver superior quality images even at f/2, from infinity to the close-focus (1.4', 0.44 m) distance. This lens is ideal for use in industrial, scientific, nature, and product photography applications. Its superior image quality makes it a great choice for portraits.
This EF mount lens provides an unusually bright and clear image in the finder. Even at full aperture, it delivers top image quality. Its angle of view and exceptional performance make the Planar T* 1.4/85 the lens of choice for portraiture on location or in the studio.
This EF mount Planar lens with its front-and-back symmetry was invented by Dr. Paul Rudolf and is one of the best-known Carl Zeiss T* lenses. It is remarkably effective in eliminating aberrations and possesses very high definition allowing contrast in the subject to be faithfully reproduced.
This Canon EF mount lens with a moderate wide-angle perspective is perfectly suited for commercial, location and nature photography. The fast f/2 aperture enables hand-held photography under difficult lighting conditions and the short focus rotation is well-suited for fast action photography.
This Canon EF mount wide-angle lens has been optimized with current, higher performing and eco-friendly glass and incorporates a floating lens element design to optimize image quality across the entire focusing range. Its fast f/2.0 aperture allows for hand-held photography under difficult lighting conditions and is well-suited for landscape, nature and commercial photography.
This EF mount wide angle lens is built with a Carl Zeiss T* anti-reflection coating that yields accurate color and professional-quality, high contrast images without any color fringes. With close focusing of only 8.64" (0.22 m) it is useful for landscape photography and other subjects with dramatic perspectives.
This Wide Angle Lens offers floating lens elements that deliver consistent high-quality over the entire distance range from 0.98'(0.3 m) to infinity. The Zeiss T* anti-reflective coating yields images with depth, contrast and brilliance even under difficult lighting situations. Optimal color correction yields images with contrasting edges, delivered without color fringing.
Micro Four Thirds lens offering a wide and long zoom range that is equivalent to 28mm to 280mm on a full frame camera. This will suit a large variety of shooting situations, from scenery to portraits or telephoto shots, in a compact and lightweight body.
The lens uses four aspherical lenses and two ED lenses to achieve dramatic downsizing despite its powerful 10x optical zoom, while minimizing distortion and chromatic aberration. Panasonic's Mega O.I.S. (Optical Image Stabilizer) suppresses the blurring that is commonly caused by hand-shake, making it easy to shoot clear shots even at telephoto range or in dimly lit places without using a tripod.
Micro Four Thirds ultra-wide angle zoom lens which has two aspherical lenses and four ED multi-coated elements to minimize ghosting and flare. It has an amazing 114° angle of view and large-diameter glass molded lens elements that help display brightness over the entire zoom range. When mounted on LUMIX G Micro Four Thirds System camera, the lens allows use of the advanced contrast AF system and features smooth, quiet autofocus as well as precise manual focus capability.
This lens operates with contrast AF system support and has a micro four thirds mount that will work on any compatible camera.
The highest optical performance in its class, plus the convenience of focusing as close as 2.3 feet over the entire zooming range. A powerful ring-type USM drive provides silent, high-speed autofocusing and a wide zooming range.
The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths.
A Canon L-Series zoom with Image Stabilizer Technology that steadies camera shake up to three stops. Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures. Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. This zoom range is excellent for documentaries and reality projects.
A Canon L-Series Zoom Lens featuring a large aperture throughout its focal length. It utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds.
A Canon L-series zoom featuring 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures.
This mid-telephoto macro lens offers near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter.
This is the first lens on the market to incorporate Canon's new Hybrid Image Stabilization Technology. Hybrid IS effectively compensates for both angular and shift camera shake during close-up shooting.
This medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.
A unique manual-focus lens designed exclusively for macro shooting, between life-size (1x) and 5x life-size – at its maximum magnification, you can fill a 35mm frame with a grain of rice. Compatible with the Macro Ring Lites and new Macro Twin Lite, it eliminates the need for awkward bellows accessories for many macro shooters. A floating system preserves optical quality at different focusing distances, and features a UD-glass element.
This lens features an ultra-large aperture for a narrow depth of field and soft background blur. The EF 50mm f/1.2L USM lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.
This lens offers Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
Compact, wide-angle lens which enables tilt and shift movements. The floating optical system, with an Aspherical lens element, corrects distortion and other aberrations. High image quality and compactness are the result. Great for architecture, landscapes and other wide-angle shots.
This lens features two high-precision, large-diameter aspherical lenses for sharpness across the sensor. Lens elements have an anti-reflective SWC (Sub Wavelength Coating) using an extremely fine structure that minimizes ghosting and flaring across the lens surface. It also features two UD lens elements to minimize chromatic aberrations, incorporates rear-focusing, ultrasonic, quiet and high-speed AF with full-time manual override.
This is a Fisheye lens with a 180º angle of view for unique effects. It offers a wide depth of field and a short minimum focusing distance of 8 in. (20 cm). The lens has a fixed petal-type hood and a gelatin filter holder at the rear.
This lens features two high-precision Aspherical elements and two UD-glass elements. The result is better contrast and sharpness at the outer edges and a reduction in chromatic aberrations. Its diagonal angle of view is 114°-anything larger would be a Fisheye lens. The lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive auto-focus.
The Compact CZ.2 zooms offer full-frame (36 x 24 mm) coverage and exhibit no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom.
At 7.72" long and with a weight of 5.5 lb, the 28-80mm is relatively compact and lightweight, making it ideal for handheld use.
The Compact CZ.2 zooms Interchangeable lens mounts are available in PL, Canon EF, Nikon F, Micro 4/3, and Sony E, which means that users are not locked into a single camera system. A range of mounting options and 4K-ready optics make the 70-200mm Compact Zoom a virtually "future proof" lens.
At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, making it ideal for handheld use.
Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems. In addition, all CP.2 lenses feature a focus ring rotation of 300° and as such allows accurate follow-focusing.
This family of fast cine prime lens is designed for filmmaking and video production applications. The system offers compatibility with PL, EF, F, MFT and E mounts. Compact Prime Super Speed lenses show less aberration which results in an overall better image quality. Images appear much sharper and show a much higher contrast. The CP.2 family, provides full coverage of full frame 24 x 36 sensors.
The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh.
The CP.2 EF mount can easily be swapped out for a standard-cinema PL mount. A single, affordable, professional quality lens can be used on both cinema and still cameras. The Compact Prime CP.2 lenses cover a full-frame image format without vignetting.
An affordable cine-style lens adapted for 0.8 pitch follow focuses. This lens has an 8 Blade lens bokeh and opens to a very fast T1.5. All Cine-Rokinon lenses have a “declicked” Iris for smooth rotation when using a lens motor.
Good close focus Standard 77mm filter threading. Affordable cine-style lens adapted for 0.8 pitch follow focuses. All Cine-Rokinon lenses have a “declicked” Iris for smooth rotation when using a lens motor.
The Warner Music Group hired us to produce a dozen Carnegie Hall concert videos.
Enormously talented international artists were invited to participate in this prestigious contest.
We captured awe-inspiring performances.
Ban Ki-Moon, the Secretary-General of the United Nations was a Korean War refugee. His family was saved by the United Nations and UNICEF. HOME, produced by Hello World, follows the Secretary-General from Africa to the Middle East.
We witness his total commitment and are moved by his compassion for the largest population of refugees in the history of humankind.
Feel the Music is an AT&T project to assist the Deaf and Hard of Hearing community celebrate and share their love of music.
Jules Dameron – an award-winning deaf artist, directed the WALK THE MOON music video "Different Colors". The production crew was drawn from the Deaf and Hard of Hearing community. The CSE Group reached out to Hello World to produce a video of the making of “Different Colors”. It was a memorable, moving experience...
General Electric, BBDO & Obscura Digital have received considerable praise for UNSEEN STARS.
Thirty-two projectors were used to produce a light show on the ceiling of Grand Central Terminal honoring the achievements of twelve female scientists and engineers. This is a remarkable effort on the part of GE to encourage more female interest and empowerment in STEM. Hello World was tasked with virtual reality streaming the show. We also provided post production services for the VR video.